![]() And this year, that has meant a shift away from remote production. Additional content was produced before and throughout the World Championship, but rigging for the tournament only started about a week before the first match took place. Meanwhile, DAZN (Canada, US, Brazil), Rigour (China), Now TV (Hong Kong) and Sky Sports (New Zealand) are among those airing the tournament, with tournament promoter Matchroom also showing the action via its matchroom.live online player.įor Witkover and the IMG team, planning began before the season started, with feature content for the whole season filmed from October onwards. Discovery says it has also introduced more touch screen analysis than before, with Ronnie O’Sullivan set to join pundit Jimmy White, subject to his playing schedule (O’Sullivan was leading his quarter-final match at the time of publication). This year, Radzi Chinyanganya is presenting World Championships coverage for the first time after he was named as the broadcaster’s host for all three of snooker’s triple crown events. IMG provides the two-table match coverage which is sent out around the world plus all the BBC’s produced coverage, including its presentation, which is fronted by Hazel Irvine.Īcross Europe, the tournament is streaming via discovery+ and available via Eurosport, which manages its own presentation. Snooker fans around the world will be able to tune into the IMG Productions Scotland-produced feed, with the production firm responsible for the UK Championships, the Masters and the World Championships. That isn’t really the way we wanted to continue.” “We did some investigation and analysis into whether remote production was the best route forward, having done it in 2020, when our studio was remote and we had very minimal presence on site. She says: “It now feels like we are able to get backstage and behind the scenes more than we have been able to do for the past two years, which will make a difference for viewers – and we hope that the TV audience will feel the tension and atmosphere as we build-up to the Crucible Final.” IMG executive producer Alison Witkover says viewers are likely to appreciate the return to normality. Alongside fans, production teams have also returned, with IMG opting to move away from remote production for this year’s tournament, which concludes on 2 May. This year, there has been a full return of snooker fans to the Crucible Theatre in Sheffield for the duration of the event. Spectators were almost completely shut out in 2020, with just 300 allowed to watch the last two days of action and in 2021, the return of spectators was staggered as the tournament progressed. For the past two years, an important element of the World Snooker Championship has been largely absent: fans. ![]()
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